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Marital Abuse and Other Sunshine Scenarios

by felix

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1.
Summer again Out in the apple orchards of the world For a reason readily apparent I figure you’d be picking them And we’d be rolling in the grass Stop for a second and remember What it truly was like Early country club evenings Carving my love with a knife They marbled the foundation first Of our lovely sentinel house Built it way up so no one could touch us And yet what have we come to, my love? What have we come to? It’s not just the malaise Corporate food by day It’s the pure statement of living without breathing Escapes both sides but the one you want Tell me you’re tired and I’ll go We haven’t rhapsodized like this since Whatever year Ra says it is So sweet! I’ll suck and spit till I die. Won’t you do the same?
2.
Seven Hours 05:26
Five cups of coffee I sipped While you made your morning Slip past Out the door with seventeen hundred manuscripts It’s a wonder Any and all and everything I’m nothing but Sartre with a bag of chips Your pen moves faster than sound, light, tears, feelings We can’t consinue (continue) on the same tape Flip it over, It’s all the same isn’t it? I should really leave before I do any more damage Than your characters can handle There aren’t any dramatic pauses Staring through the pages But they’ll be coming. Keep the timer running. Don’t you notice anything? Tears in the cloth you sewed, That oil that spilled on the counter? Shit, I could stop it But I’m digging glass into my veins I’m…. really sorry.
3.
"So I prophesied as I was commanded: and as I prophesied, there was a noise, and behold a shaking, and the bones came together, bone to his bone. And when I beheld, lo, the sinews and the flesh came up upon them, and the skin covered them above: but there was no breath in them." It came again last night A yearning for conscience, reaching toward the light Suddenly obscured by fire I tried to restrain myself You could be more than you seem But such an analysis would seem to contradict My every waking dream This man was there My blonde sister too They gave me a cold blank stare Uncertain of what I'd do. Up, the banister! Home to some of my sillier plans But this isn't a book. Someone, skin folded, head down, wheels locked. Ninety nine years flown by shut off. In her place, grey hair....... Past the flaming lamp he flies Traces of a rag doll flutter in his eyes God. God, my God, God, God. God, My God.... He does not have time for your silly games! Whoever you are, wheel the basket, Invent something else again! The weaker man knows no one Who can compell him to regret Returning to dust I must Relearn what is worst to forget

about

Words, guitar, and other sonic qualities.

This EP is the product of six months of isolation and way too
many crepes. It’s a product of how I felt at the time I wrote it,
which was pretty bummed to tell the truth.

“Like a bird on a wire
Like a drunk in a midnight choir
I have tried, in my way, to be free” -L. Cohen.

Sometimes freedom is knowing your true limitations. Based on
that, I’m freer than I was seven months ago.

Special thanks to the following people who have inspired and
motivated me throughout this journey (in no particular order):

My family, Rachel Matian, L. Mounts, Jordan Zamansky, Matt
Garrett, Ross Bye, Catherine Melka, Julia Tropp, Gillian Keebler,
Aidan Weller, Bennett Harvey, Joe Jackson, Sean Gies, Lesya
Bazylewicz, Morgan Wasserman, Logan Oberholzer, Hana
Buckholz, Anthony & Becky Garber, David, Paul Easton, Matthew
Riley, Jennifer Chang, D. Gilson, Ayethaw Tun, Eric Novak, Ryan Donlin, FBI Special Agent Dale Cooper, Mark Kozelek, and the ghost of John Fahey.

credits

released March 30, 2015

Felix:
vocals, thumb piano, percussion, samples

David:
guitar, reading on "Without Chemicals"

All songs written, produced, and mixed by Felix.

Recorded 3/29/2015 at Madison Hall, Room 106

Cover design by L. Mounts

Sample taken from The Elephant Man, by David Lynch, copyright 1980.

license

all rights reserved

tags

about

C.W. Franz Chicago, Illinois

Enterprising poet with a strange taste in music. Butchering everything from folk to musique concrete or something.

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